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In band class, Aang tries to play the Tsungi Horn but gets chided by the teacher for dancing. Her jealous boyfriend, Hide, seeing 'Kuzon' and On Ji together makes it clear to Aang that he'll have no one, especially some 'colony trash', messing around with his girlfriend.

Once the schoolday ends, Aang meets On Ji, who notices Momo and warns Aang to keep him hidden.

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Even with her priviledged upbringing, she proves to be quite kind when Aang (calling himself Kuzon) comes to the school claiming to be a new student from the Colonies, demonstrating to him on how to properly bow to their teacher. Like all of her fellow students in the upper-class school, On Ji grew up away from war and poverty. On Ji is a young schoolgirl at an academy on one of the Fire Nation's outlying islands. Inside the cave, he and his guards attempt to capture Aang, but proves to be impossible as the crowd of children all wear headbands to cameflouge Aang, allowing him and his friends to escape. Later in the episode, Hide leads the Headmaster to the cave where Aang is throwing a dance party for his students. He however is tricked into believing that a disguised Sokka and Katara are Aang's parents. When he sees his star pupil laying on the ground he assumes Aang to be responsible and assigns a parent-teacher conference. After Aang 'beats-up' Hide, the Headmaster comes out to the courtyard to confront him. One of which is sending any habitually disorderly students to what he refers to as 'reform school': coal mines. Prior he to his current position, this man was a drill sergeant in the Fire Nation army and imposes much of the harsh methods he learned there within the walls of his academy. You might get stuck in a crevasse while flying a banshee, fall into an inescapable fissure, or dismount from a direhorse directly into the geometry of the plant right next to it and be unable to get out.Headmaster of an upper-class school on one of the Fire Nation's outer islands, the man known only by his title is extremely strict, enforcing strict discipline among his students. Not that AI characters are the only ones prone to technical weirdness. Your foes often will ignore comrades falling over dead right in front of them, engage harmless creatures and ignore you as you pick them off, and walk directly into walls and continue to walk in place. Enemies that melt into the background and inconsistent hit detection make it feel like you're spraying bullets around willy-nilly much of the time, and humanoid enemies are too stupid to make shooting them exciting.

You've got a pair of pistols to get you through if the better guns run out of ammo, but they're all but useless luckily, your shotgun, flamethrower, and other weapons seem appropriately powerful, if not exactly satisfying to use. If you go the way of the RDA instead, you won't wield any melee weapons and will instead shoot your way to victory.

Unfortunately, while a few of those hours are entertaining, Avatar's action is too bland and tedious to justify the game's length, and a variety of bugs and bizarre design elements put a further damper on the fun. A branching story featuring two disparate factions makes this a two-games-in-one experience, so if you like wringing the last drop out of your $50, the single-player campaign might keep you busy for 15 hours or so. That isn't to say that Avatar is all bad. In fact, if you're eagerly anticipating the upcoming Avatar movie, it's probably best that you avoid this bland and overlong third-person shooter altogether, because there's nothing fantastical or compelling about its story or characters. Developer Ubisoft Montreal disregarded this mantra when creating James Cameron's Avatar, delivering a mediocre game loaded with unnecessary padding, rather than a tight and enjoyable package that could have gotten players excited about the upcoming film of the same name.